Jan Fabre : Quando l’uomo principale e una donna
The dancer moves beneath a sky full of bottles, from which olive oil first drips then gushes and splashes and finally transforms the whole stage into a reflecting bath... The strength of this solo lies in its constant shifts: from man to woman, from human to animal, from straight line to circle, from rolling, sliding movements to rising slowly upright, like a tree that grows more and more branches, like a swan that has fertilised itself. The atmosphere is summery and Italian, but the howling wind ranges from a gentle summer breeze to an approaching storm. The dancer herself also alternates ritualistic transformations with a juggler's and conjuror's tricks. Humming all the time, she plays with her gender, with balls in her trousers, on her chest or in her mouth. Before you know it an hermaphrodite becomes a sexless angel.
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